2018—
essays—
American Poetry Review: “The Space Between” Vol 47, 4. Sep/Oct, 2018. Print. forthcoming
poems —
Ploughshares: Winter 2018. Print. forthcoming
Salamander: “A Sting Hovers in My Window” Vol 47. Winter 2018. Print. forthcoming
Plume: “The Path of Non-Attachment” Fall 2018. Online. forthcoming
The Literary Review: “Mall at Millenia” and “Why Not Minot” Fall 2018. Print. forthcoming
Colorado Review: “Portrait of a Clarion” Fall 2018. Print. forthcoming
Poets.org: “Lethe” (winner of an Academy of American Poets Prize) Summer 2018 (republication) forthcoming
Fugue: “Here is Somewhere” Vol 55. Summer/Fall 2018. Print. forthcoming
The Missouri Review: “As Faithful as His Options” August 2018. Online. forthcoming
Canadian Woman Studies: “Letter to My Embryo, Evolving” and“Third Wave” Vol 32: 1, 2, 2018. Print. (republication)
Split Lip Magazine: “How to Care for a Narcissist” Jul 2018. Online.
diode poetry journal: “Rizzo’s Song” and “Newlywed” Jul 2018. Online.
The Offing: “Third Wave” Jul 2018. Online.
Spillway: “Loaded Noir” Vol 26. Jun 2018. Print. forthcoming
Prairie Schooner: “Doll, House” Spring 2018. Print.
WSQ: Women’s Studies Quarterly: “If Barbie Had a Brain” and “To Come Undone” (republication) Beauty Issue: Spring 2018. Print.
The Ekphrastic Review: “Tomb of the Wrestlers” Apr 2018. Online.
Bayou: “The Line of a Girl” (winner of 2016 Tennessee Williams/New Orleans Literary Festival Poetry Prize, selected by Yusef Komuyakaa) 2018. Print.
Mississippi Review: “After Fifteen Years” 2018. Print.
Sugar House Review: “Denouement” 2018. Print.
reviews—
Pleiades: Review of Elizabeth Powell’s Willie Loman’s Reckless Daughter. Summer 2018. Print.
2017—
poems —
Hayden’s Ferry Review: “To Come Undone” 2017. Print.
Post Road: “In Elixir” and “Rewind” 2017. Print and Online.
2 Horatio: “Carry a Golden Shovel” 2017. Print and Online.
Iron Horse Review: “Maenad in America” 2017. Print.
Tinderbox Poetry Journal: “Equinox” and “Black Iris Sonnet” Vol 4, Issue 3, 2017. Online.
poems2go: “Waterline” June 2017. Online. (republication)
Green Mountains Review: “Mirror, Mirror” April 2017. Online.
Anomaly: “Gaslight” Vol 25, 2017. Online.
Happiness is a Fish Called Melvin (anthology): “Waterline” (reprint), Big Wonderful Press, 2017. Print.
WSQ: Women’s Studies Quarterly: At Sea Issue: 2017. Print.
The Adroit Journal: “What’s Bottled Breaks” Issue 20, March 2017. Online. ((audio))
LEVELER: “The Google Earth Effect” March 2017. Online.
New Ohio Review: “Facebook Sonnet” Vol 21, 2017. Print.
The Cape Rock: “Magnolia” 2017. Print.
diode poetry journal: “Ripe” 2017. Online.
Cordite Poetry Review: “Wuthering” Australia, 2017. Online.
Barrow Street: “Mating Season” and “Lethe” Winter 2017. Print.
reviews—
Southeast Review: Review of Safiya Sinclair’s Cannibal. Vol 35.2, 2018. Print.
2016—
poems —
The Massachusetts Review: “Mezzo” , 2016. Print.
Foundry: “Waterline” Vol. 2, 2016. Online.
Apalachee Review: “Like Darwin’s Finches in Reverse” 2016. Print.
Louisiana Cultural Vistas: “Letter to My Embryo, Evolving” 2016. Print.
Fjords Review: “Oblation,” “Patience as a Force,” and “What You Can’t Know” 2016. Print. (featured cover)
AGNI: “Mating Season” “Lethe” 2016. Online.
The Winter Anthology: “Like Darwin’s Finches” Vol. 6, 2016. Online.
The Los Angeles Review: “Hole Reunion Sonnet” Vol. 19, 2016. Print.
50 Haikus: “[this Sunday morning]” 2016. Print.
New South: “Phalaenopsis” Vol. 9, No. 1, 2016. Print.
Borderlands & Crossroads: Writing the Motherland (anthology): “Matryoshka” Demeter Press, 2016. Print.
The Adroit Journal: “Undolled” and “Little Wekiva River” Issue 14, Winter 2016. Online ((audio))
2015 & earlier—
poems —
JuxtaProse: “Matryoshka” Vol. 5, December 2015. Online.
The Florida Review: “Like Darwin’s Finches” (finalist for the Editor’s Prize), “Verbal Abuse,” and “Cage Sonnet” 2014. Print.
Dead Mule of Southern Literature: “There are Days,” “Waiting,” “South Charlene,” and “Gypsy Elegiac” 2012. Online.
Sugar House Review: “Krishna” Spring/Summer 2012. Print.
reviews—
Specs: Review of Janée J. Baugher’s Cöordinates of Yes. Fall 2011. Print.
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